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‘Deadpool & Wolverine’ makes the MCU fun again

“Welcome to the MCU. By the way, you’re joining at a bit of a low point,” says Deadpool at one point in his much-anticipated (by him, at least) team-up with Wolverine.

Turns out, admitting you have a problem is more than half the battle.

It’s satisfying to see a director of Levy’s talents play in the Marvel universe for the first time, nailing the requisite epic scale while keeping things fun.

After years of declining audience interest, Marvel Studios has delivered a much needed win in the form of “Deadpool & Wolverine,” the third installment in the Deadpool trilogy and the first proper inclusion of the X-Men into the MCU.

Wade Wilson (Ryan Reynolds) is living a peaceful existence retired from superhero-ing and struggling to find meaning in his life. Enter the TVA (short for Time Variance Authority, an organization introduced in the streaming series “Loki”). Turns out, the TVA could use a man like Deadpool to fix the timeline.

When the Merc with a Mouth realizes he’ll have to destroy his universe in the process, he pivots to saving it instead. To do so, he recruits a disgraced, alternate-universe Wolverine (Hugh Jackman). As the two unlikely friends maneuver through the multiverse, the chaos that always surrounds Deadpool follows them.

At the heart of this ultra-violent, ultra-irreverent film are surprisingly sincere themes of friendship and redemption. In their shared struggle to find new meaning in their lives, these two heroes end up saving not only the entire universe in a bloody, action-packed climax, but each other.

It’s one of the best bromances ever captured on film, with both Reynolds and Jackman giving career-best performances. It is one of the most earnest and emotionally satisfying stories we have seen from Marvel Studios since “Spider-Man: No Way Home.”

WARNING: SPOILERS FROM THIS POINT ON

The film also lovingly pays tribute to the 20th Century Fox era of Marvel with cameos from Blade (Wesley Snipes), the Human Torch (Chris Evans), Elektra (Jennifer Garner), Pyro (Aaron Stanford), and Gambit (Channing Tatum, who finally gets to play the character after many failed attempts at a solo film).

Even Laura/X-23 (Dafne Keen), from what was supposed to be Jackman’s final bow as Wolverine, makes an appearance. She confirms that the Wolverine of “Logan” is indeed dead while inspiring this version of Wolverine to become the hero he’s always been capable of being.

While these throwbacks are fun, they do sometimes make the film’s pacing suffer. Still, it’s hard to fault “Deadpool & Wolverine” for its commitment to maximum fan enjoyment.

I must also single out director Shawn Levy, a filmmaker with great family films like “Cheaper by the Dozen,” “Night at the Museum,” and the Reynolds-starring “Free Guy” under his belt. It’s satisfying to see a director of his talents play in the Marvel universe for the first time, nailing the requisite epic scale while keeping things fun.

It’s safe to say that with “Deadpool & Wolverine,” the MCU has officially bounced back from the wokeness-fueled nadir of “The Marvels.” Will the studio build on the momentum and good will?

Only time will tell, but the recent Comic-Con bombshell that Robert Downey Jr. will play Dr. Doom in both “Avengers: Doomsday” and “Avengers: Secret Wars” is certainly a hopeful sign. Let’s keep our fingers crossed that the party is just getting started.



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